Science fiction has long anticipated the rise of machine intelligence, and today a new generation of self-learning computers has begun to reshape every aspect of our lives. Will A.I. usher in an age of unprecedented potential, or prove to be our final invention?
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Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.
Meet a surgeon who claims to remove highly advance implants, nanotechnology microchips imbedded by aliens, non-humans monitoring our earth. Discover the world of abductions, scalar wave transmissions, and a program to study or manipulate the human race. Armed with a patient, a scalpel, black lights and a stud finder; we seek to verify the authenticity of this alleged Off-World Implant Technology.
From the birth of jazz to the evolution of hip hop; the advents of urban trends to transformative advances in technology, African Americans have played an integral role in molding American culture. Unfortunately, we tend to not be the beneficiaries of our own innovation. Bleaching Black Culture examines the continuum of America’s black cultural appropriation and effects on the African American community.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
As an NYPD officer in the late 60s and early 70s, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department, was shot in the face during a drug arrest, and most famously became the subject of Sidney Lumet’s classic film SERPICO. Forty-plus years later, Serpico talks about his Southern Italian roots and upbringing, his time as an undercover officer, and his post-NYPD life in Europe and ultimately upstate New York. Adding their own recollections are his fellow officers, childhood friends, his West Side neighbors, and his admirers such as writer Luc Sante and actor John Turturro. With unprecedented access to its subject and augmented by original music by Jack White and an original score by Brendan Canty of Fugazi, Antonino D’Ambrosio creates a memorable, powerful portrait of an always-committed public servant who still walks the walk in his very own unique way.
Three candidates for knighthood must face a reckoning with the darkest issues from their past in order to be accepted into a real-life Jedi community. More than fandom, more than religion; for each Jedi initiate, it’s a personal crusade for the betterment of their world.
On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.
Ghostheads is a documentary that explores the extreme side of the Ghostbusters fandom. Join us as we travel the world meeting extreme Ghostbusters fans. Every Ghosthead is unique. Every Franchise is its own. Every pop culture fandom should learn how to give back to the community.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.