A woman learns about the death of her father. She returns to her Orthodox Jewish home and falls in love with her best childhood friend who is now married to her cousin.
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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Samantha and daughter Blake invite Chloe, a foreign exchange student from Britain, into their California home. The two girls become close friends but Samantha’s uneasiness begins with the suspicious death of Blake’s boyfriend. Samantha sets out to prove her daughter’s innocence, discovering Chloe’s ultimate plan is to “adopt” Samantha as her “mum”.
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
When Julián receives an unexpected visit in Madrid from his lifelong friend Tomás, who now lives in Canada, the encounter is bittersweet. This reunion, their first meeting in many years, may also be their last. Diagnosed with terminal cancer, Julián is focused on putting his affairs in order, while Tomás is still grasping at hope. For four intense days, the two men, accompanied by Julián’s faithful dog, Truman, tour the city sharing emotional, hilarious and surprising moments. Full of laughter and sadness, and led by brilliant performances by Ricardo Darin and Javier Cámara, Truman is a wonderfully touching film on how we say goodbye.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Sarah Nolan is a newly divorced woman cautiously rediscovering romance with the enthusiastic but often misguided help of her well-meaning family. As she braves a series of hilarious disastrous mismatches and first dates, Sarah begins to trust her own instincts again and learns that, no matter what, it’s never a good idea to give up on love.
Strike is a young city drug pusher under the tutelage of drug-lord Rodney Little.When a night man at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Det. Rocco Klein doesn’t buy the story, however, and sets out to find the truth, and it seems that all the fingers point toward Strike & Rodney.