Madea and the gang encounter monsters, goblins and boogeymen at a haunted campground.
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Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.
The night after another unsatisfactory New Year party, Tim’s father tells his son that the men in his family have always had the ability to travel through time. Tim can’t change history, but he can change what happens and has happened in his own life – so he decides to make his world a better place… by getting a girlfriend. Sadly, that turns out not to be as easy as he thinks.
Angelo “Snaps” Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise.
When a tiny intergalactic starship crashes into the bedroom of middle-schooler Rod Allbright, he is enlisted by the extraterrestrial Galactic Patrol, a group of out-of-this-world lawmen, and must race to save the world from Total Planetary Disaster with his cousin Elspeth.
You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.
After suffering a heart attack, Bill (Bill Oberst) takes his doctor’s advice literally to eliminate the stresses from his life. The plan is working until his killings attract the attention of a psychotic cop (Armand Assante) who isn’t sure whether he wants to arrest or join him. Complications deepen when it becomes apparent to Bill that the biggest cause of stress in his life might be his wife.